About “Crosseyed and Painless” The second track off of Talking Heads' 1980 classic addresses the idea of losing identity, and not sure how to regain it back. Lost my shape! Bowman, David (2001). Trying to act casual! This project serves to compile, preserve, and protect encyclopedic information about Phish and their music. “facts aren’t lazy and facts aren’t late”, For me this whole line about facts sounds like a critique of the idea of objectivity. It’s saying there is more to life and being human than cold, dead fact. The lyrics discuss a paranoid and alienated man who feels he is stressed by his urban surroundings. The lyrics discuss a paranoid and alienated man who feels he is stressed by his urban surroundings. Humans tend to shape things in order to fill holes. Crosseyed And Painless lyrics. “Lost my shit” instead of “Lost my shape”. HarperCollins. The second track off of Talking Heads' 1980 classic addresses the idea of losing identity, and not sure how to regain it back. "Crosseyed and Painless" is a song by American new wave band Talking Heads. And “Island of dumb” instead of “Island of doubt”. View by: Highest Rated; Most Recent; Oldest First +6. It was released in 1980 in the United States as a promotional single from their fourth studio album, Remain in Light. Can't stop! The singer is filled with doubt and isn't even sure he can believe facts. This Must Be the Place: The Adventures of Talking Heads in the Twentieth Century. © 1990-2020 The Mockingbird Foundation, Inc. | Hosted by. The lyrics are both deadpan and silly causing a mixed humor in the song. [3] By the end of the song, he expresses his resentment of facts: "Facts don't do what I want them to do / Facts just twist the truth around."[3]. Crosseyed and Painless song meanings Add your thoughts 19 Comments. I interpret the title to mean something like, they can’t see past their nose (crosseyed), which basically means they can’t see other points of view because they’ve become so preoccupied with their own (can’t see the big picture). "—is influenced by old-school rap, specifically Kurtis Blow's "The Breaks" given to Byrne by Frantz. It was also the second music video to be released by the band in 1981. The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community. The song uses instruments and techniques such as cowbell loops, congas, bells, staccato guitar rhythms, and electronic blips. I honestly hear some of the lyrics differently. [2] The singer is filled with doubt and isn't even sure he can believe facts. So far, we’ve distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way. The song's meaning is simple: it is mainly about a man looking for a city to live in, though lead singer David Byrne's surrealistic yet humorous delivery of the song is anything but simple. [5] The dancers engage in various dance mimes of hustling, knife crime, posing, body popping, solicitation and street fighting. The "rhythmical rant" in "Crosseyed and Painless"—"Facts are simple and facts are straight. The arrangements are surgically precise, cutting, and exact, sucking even … The rhythm of the song, as well as the use of the congas, add an African feel to the song,[1] which is also apparent in their song "I Zimbra". Facts are lazy and facts are late. Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation. Adrian Belew's guitar solo rumbles like a train passing a station leaving its prospective passengers scratching their heads in the kicked-up dust. ben shapiro’s favourite talking heads song or least favourite depending on his interpretation (which would probably be either wrong or misleading on purpose) hehe, Compass Point Studios, Sigma Sound Studios, Can't stop, I might end up in the hospital, Doing it right, facts are useful in emergencies, Crosseyed and Painless [The Name of This Band is Talking Heads]. They label, the examine, they change. In “Crosseyed and Painless,” the rocket-powered second track on Remain in Light, Talking Heads and Brian Eno pull off stunning arrangements with power, precision and explosive energy. I might end up in the hospital I'm changing my shape! "Crosseyed and Painless" Track Info The narrator seems to be willfully ignorant to the opinions of others, “they’re back to explain their experience” (which conflicts with their world view), and “facts don’t come with points of view” (the narrator wishing there were no other world views than their own). Although the single failed to reach on the US main chart, it reached to 20 on the US Dance chart. Lost my shape Trying to act casual! Can't stop I might end up in the hospital I'm changing my shape I feel like an accident They're back! "—is influenced by old-school rap, specifically Kurtis Blow's "The Breaks" given to Byrne by Frantz. This song appears to be a critique of objectivity and the absurdity of something as complex as human beings giving their lives over to the god of facts. To explain their experience Isn't it weird / Looks too obscure to me Wasting away / And that was their policy I'm ready to leave - I push the facts in front of me The "rhythmical rant" in "Crosseyed and Painless"—"Facts are simple and facts are straight. These lyrics are of common theme for Talking Heads and categorize lead singer David Byrne's writing style. I feel like an accident They're back! This combination can be seen in lyrics such as "Did I forget to mention, forget to mention Memphis, home of Elvis and the ancient Greeks." Facts are lazy and facts are late. sort form. This was Talking Heads's highest charting dance single of all time. And since we’re entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! The music video for "Crosseyed and Painless", lasting 5:37, was directed by Toni Basil and by their own request did not feature the members of the band. What crosseyed and painless means.. Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation. Instead it featured authentic street dancers (including Stephen "Skeeter Rabbit" Nichols),[4] chosen by David Byrne, and who were said to have chosen their own parts for the video. This project serves to compile, preserve, and protect encyclopedic information about Phish and their music. To explain their experience Isn't it weird Looks too obscure to me Wasting away And that was their policy I'm ready to leave I push the fact in front of me Facts lost Facts are never what they seem to be Nothing there! These lyrics are of common theme for Talking Heads and categorize lead singer David Byrne's writing style. Talking Heads - Crosseyed and Painless - Official Original Video, "Crosseyed and Painless - Talking Heads : Listen, Appearances, Song Review", "Bowie Weaves Magic on Glass Spider Tour", "Crosseyed and Painless Every Time Played", Once in a Lifetime: The Best of Talking Heads, https://en.wikipedia.org/w/index.php?title=Crosseyed_and_Painless&oldid=985096077, Pages using infobox song with unknown parameters, Creative Commons Attribution-ShareAlike License, "Crosseyed and Painless" is played very often at, This page was last edited on 23 October 2020, at 22:51. It can be difficult for the narrator to see outside of themselves and to attempt to would be painful because it would shatter their fragile worldview, hence, they are painless because they keep their narrow view intact and safe. The fact (pun intended) that people interpret this song to mean Talking Heads and producer Brian Eno (of all people) are writing music about how facts, objectivity, and truth are the only part of human experience is comically ironic and proves the point of this song.
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