By continuing to use Reverb, you agree to these updates, and to our cookie policy. I tried a few variations on settings for Level, Drive, and Character, and found that I could get a range of usable tones, including some pretty hard-edged sounds. We will return to the two settings that interact each other. In the case of the Joyo American Sound, it does not have the Cab Sim defeat switch that the Tech 21 Blonde has, and I assume the other Joyos lack the Cab Sim defeat switches that the Tech21s do include. Mid, Low, and High: sets EQ. Tech 21 Character Pedals - Blonde deals . What’s not to like, aside from the fact that it doesn’t have any built-in FX? Shares. So, now we’re waiting for samples from you. Follow this product to see new listings in your feed! By using our services, you agree to our use of cookies. Posts: 2,633. I think Blonde v2 with switching off speaker emulation will be a nice pedal for harp. It’s one of a series of “Character” pedals from Tech 21, whose experience building analog amp modeling pedals goes back to the original SansAmp a decade or so ago. Regardless of whether you have FX available in your amp, you really should run the Blonde to a clean amp like a PA or a keyboard amp, not a traditional blues harp tube amp. Reviewed in the United States on July 30, 2013. An unlabeled button on the front panel switches cabinet modeling (based on a 12″ Jensen setup) in and out. I am not a fan of the distortions pedals of any kind. The FBM-1 (I suppose not). Keep in mind that, as with any amp modeling device (and as previously noted), you should run the Blonde into a PA or other super-clean amp rather than a typical guitar or harp amp. Cookies help us improve performance, enhance user experience and deliver our services. I tested it with both the Fireball V and Bottle o’ Blues mics plugged straight into the input, and it produced big, meaty, tough tones with both. I learned about the Character Series pedals after visiting Tech 21 website (creators of Sansamp). Cookies help us improve performance, enhance user experience and deliver our services. Tech 21 have more huge bottom while slightly muddy (I think because of speaker emulation). Hi Eric, the RP150/155 behave well with bullets–better overall than the RP250/255/350/355, because I didn’t use the kinds of modulation FX (like chorusing or flanging) that don’t work well with bullet mics on the 150/155. Wampler Fuzztration Fuzz & Octave Guitar Effects Pedal, Reviewed in the United States on June 10, 2010. In terms of ease of use, the Blonde is a winner for sure (though the RP is easy enough to use when you add my patch set). Are new Epiphone guitar models coming? Cons Absolutely nothing. RP355 Dark Blue champ with delay engaged. A pedal that offers inspiring sounds, couldn´t be easier to use and puts analogue modelling firmly back on the map. Oct 13, 2020 #17. bettyseldest Friend of Leo's. Using the suggested settings for a SINGIN' '59 BASSMAN and boosting the bass to ¾ nailed the FBM-1 sound (but actually sounds better!). JOYO JF-15 California Sound Effects Pedal with Modern Ultra-High Gain Amp Simulator... USA Digital Overdrive Guitar Effect Pedal with 4 Control Knobs (CP-18). To reflect our commitment, we updated our terms and conditions. Find answers in product info, Q&As, reviews. Explore and custom tailor tube amp tones from '50s Fullerton blonde to blackface and silverface. My neighbors are also very happy, even if the fact that the SansAmp Tech 21-Series-character-blonde offers excellent sound quality, they pass completely through. Learn More. I love it. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. I love this box. The Harp Break If you need something that runs on batteries, I’d recommend either the Tech 21 Blonde or a Lone wolf Harp attack. Please refresh the page and try again. Joined: Nov 13, 2011 Location: UK. Turning up brings you more into the Blonde era and then the Tweed era of the fifties. Now it’s most important for me for dirty harmonica is a dynamics. If you’re running the device through a PA or keyboard amp with either of these FX, you can use the effects in the amp (assuming you can get near the PA and understand quickly enough how to set the reverb/delay level for the harp, no easy trick at a lot of jam sessions). From clean to massive distortion, this pedal sounds great with bass as well as guitar.
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