Find articles, news, musician pages, and more! While still in college he made his recording debut with saxophonist Scott Kreitzer and recorded two further collections with pianist Armen Donelian. In other words, his tunes have a bit of an avant-garde flavor. Stewart handled the gig with enough authority to land a place in Parker’s touring band, and on the album’s sequel, Mo’ Roots. “The amazing thing to me about Bill,” says Hays, who first called Stewart for a no-pay gig at a sushi restaurant, “is that he had that Bill-ness from the beginning. When Stewart self-released Keynote Speakers in 2005, it had been eight years since his previous solo release. At that time one of the anchors of the Blue Note roster, Scofield had produced Landmarks, a 1990 release by Lovano that marked another of Stewart’s first record dates. Pianist and singer Billy Stewart was a distinctive and influential R&B vocalist whose stuttering delivery and word-repetition technique borrowed liberally from the jazz practice of scat singing. There he began the slow process of establishing his reputation by regular appearances at jam sessions and by word of mouth, leading to his first gigs with the Larry Goldings trio. Both musicians have known Stewart since he first hit the scene in the mid-1980s, and they manage to work with him, in one setting or another, with a fair degree of regularity. Tell us why you would like to improve the Incandescence musician page. It’s not always listen and react. After graduating he enrolled at the University Of Northern Iowa in Cedar Falls, playing in the jazz and marching bands as well as the orchestra. Metheny, speaking to the Austin Chronicle in advance of a similar release, Trio Live, was just as kind: “This guy’s a bottomless pit of ideas. "[4], The cymbals were redesigned and sold as the K Custom Dry Complex II Rides since 2008 in sizes of 20, 22 and 24-inch. It was here that he met future collaborator, saxophonist Joe Lovano. Incandescence, on a French label, came after a much shorter wait. Stewart had already made one solo album for a Japanese label-Think Before You Think, with a group that notably included Lovano and bassist Dave Holland-but the follow-up was his breakthrough. (And for the record, his broader list would surely include dozens more.). At one of their regular sessions at Augie's Club in Manhattan, Maceo Parker attended and invited him to contribute to a forthcoming recording date (for Roots Revisited ).
[5], Zildjian has also designed the Bill Stewart Artist Series Drumsticks. '”, Bernstein: “He can make every band sound like a band.
They of course did a number of tours and studio dates together while word got around about Stewart's unique sound and approach to the kit and music. After college, Stewart moved to New York where he quickly built his reputation, first gaining wider recognition in John Scofield's quartet with pianist Michael Eckroth and bassist Ben Street[3] and in a trio with Larry Goldings and Peter Bernstein, which has become the longest-running group Stewart has played with, having begun in 1989 and continuing to this day, however infrequently the group may be found in performance. The set with Bernstein and Weiss, drawing heavily from the Monk canon, will go on to illustrate the depths of a proven rapport. One week after the stand with Hays, Stewart is sitting in a tiny dressing room at Jazz Standard, awaiting the opening set of yet another trio gig.
Learn more. Interested? Born in Washington, D.C., in 1937, Stewart started singing publicly with his mother's group, the Stewart Gospel Singers, as a teenager.
Or track down a bootleg called John Scofield Quartet Plays Live, and listen to the expressive drumming on a track titled “Stranger to the Light.” The press rolls and chattering hi-hat are vintage Stewart, and so is the temperament of his solo, which manages to feel both logical and startling. While perhaps accurately understood as a musician’s musician, he has never stopped being a drummer’s drummer; his example underscoring that there can be laudable rigor in both ideals. Membership has its privileges. Sometimes it’s jumping in there and shaking things up a bit.” A pause.
The ensemble is a twist on the usual organ-guitar-drum trio, where a second keyboard (variously piano, Fender Rhodes, and other keyboard instruments) is added to the organ-drum foundation. Still, whatever the impact of Snide Remarks-and its 1997 sequel, Telepathy, which enlisted two saxophonists, Steve Wilson and Seamus Blake-there was a good deal more work for Stewart as a sideman than as a leader. Stewart's improvisations favor the development and layering of motivic ideas over the raw generation of excitement or display of technical prowess.
But Stewart, comfortable with the abilities of both his colleagues, focused on the upside. That seems to be one of his first things, not playing a bunch of bad shit, although he does that too.
Published since 1970, JazzTimes—“America’s Jazz Magazine”—provides comprehensive and in-depth coverage of the jazz scene. Please Sign Up or Sign In to send your inquiry. There are a lot of possibilities there.”. Stewart's unique vocal stylings were in full flower, earning him the new nickname "Motormouth," and his revisitation of "Summertime" landed in the Top Ten on both the pop and R&B charts; it still ranks among the more radical reinterpretations of the oft-recorded warhorse. Reset your passwordClick the eye to show your password. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Show less. It’s always been that way.”, Bernstein: “From the start-we’ve all known each other since ’85 or ’86-Bill had the blend of being solid and at the same time as far out on the high wire as you can be.”, Weiss: “Being able to push everyone a little bit, too. “So Maceo came and sat in. Your Choice From the MoonJune Records Catalog. So that can happen too.”. Learn more.
Or any band, really. Learn more. The second Blue Note album to be released under Stewart's name was 1997's Telepathy, featuring Carrothers and Grenadier along with saxophonists Steve Wilson and Seamus Blake. The largely self-taught drummer began playing at the age of seven.
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