big daddy kane 1988

The other two singles did not chart, but "Raw" and "Set It Off" popularized Big Daddy Kane's high-speed style and abundant use of word play. Nello stesso anno ha anche pubblicato due singoli: The Man, The Icon, prodotto da The Alchemist, e Any Type of Way, prodotto da DJ Premier, in cui il rapper parla del collasso urbano dopo l'11 settembre 2001 e dell'erosione della cosiddetta "classe media". Thiz Markie. [3] Nowithstanding "Ain't No Half Steppin'," The Very Best of Big Daddy Kane contains five songs from Kane's debut album. [9][14] In 1999, ego trip ranked it as the sixth best hip hop album released in 1988. released as a 12" in the UK, but not in the US, Buy Vinyl, Featured on a Bass Chronicle's "D&B influences: Hip Hop", Matrix / Runout (Centre label side A): W 7676 (T) A* 921096-0, Matrix / Runout (Centre label side B): W 7676 (T) B* 921096-0, Matrix / Runout (Etchings side A): W7676T-A-1 MT.1. Marl would then hook the beat up on a sampler, and give it his characteristic sound. "Big Daddy" invece è il personaggio interpretato da Vincent Price in un film di Frankie Avalon, Beach Party. Allmusic's Steve Huey regards "'Raw,' 'Set It Off,' and 'Ain't No Half-Steppin' [as] flawless bids for immortality [that] haven't lost an ounce of energy. [9] Nas ranked the album as one of his 25 Favorite Albums. "), Gang Starr ("Here Today, Gone Tomorrow"), the Beastie Boys ("So What'cha Want"), Real Live ("Real Live Shit (Remix)"), RZA ("Cameo Afro") and interpolated by Masta Ace ("Nostalgia" by Marco Polo) and Brother Ali ("Star Quality"). In the music video, Big Daddy Kane comes fresh in '88 to set 'em straight by taking on all lyrical rappers in the boxing ring, at the poker table and on the microphone, and all rivals better not half-step. Fortemente influenzato da Grandmaster Caz nei lavori di inizio carriera, Kane ha poi continuato a lavorare sul … Kane's lyrics have been sampled and reused, his rapping style has been emulated as well as the beats. [16] The other Big Daddy Kane album to reach gold status, It's a Big Daddy Thing, is the only album said to rival Long Live the Kane as the rapper's best album. Nel 1996, prima dell'uccisione di Tupac Shakur, si parlava insistentemente della possibilità che quest'ultimo fondasse una propria etichetta discografica col nome di Makaveli Records, ospitando figure prominenti dell'East Coast hip hop, incluso Kane, che con lo scomparso rapper californiano aveva già registrato la traccia Wherever U Are. Add the first question. As is the case with many Juice Crew associated projects on the Cold Chillin' label, the production was handled by legendary beatmaker Marley Marl. "Ain't No Half Steppin'" alone is featured on The Very Best of Big Daddy Kane, Marley Marl's House of Hits, two "best of" Cold Chillin' Records compilations and over five additional hip-hop hit compilations. A music video for the 1988 single "Ain't No Half-Steppin'" by Hip-Hop recording artist Big Daddy Kane, from his album "Long Live the Kane". A music video for the 1988 single "Ain't No Half-Steppin'" by Hip-Hop recording artist Big Daddy Kane, from his album "Long Live the Kane". Kane si può considerare il responsabile dell'avvio della carriera di Obie Trice. Looking for some great streaming picks? Marl has countered the artists claims by suggesting that the rappers had limited knowledge of production equipment, and would have not gotten the same signature "boom bap" sound that was unique to the producer. Big Daddy Kane, pseudonimo di Antonio Hardy (New York, 10 settembre 1968), è un rapper statunitense di Brooklyn, cresciuto nel quartiere di Bedford-Stuyvesant. Questa pagina è stata modificata per l'ultima volta l'8 set 2020 alle 21:25. "Ain't No Half Steppin'" has also been sampled by various artists including Nice & Smooth ("No Delayin'"), Ed O.G. The 45 King sped up the beat, and gave the song its signature sampled hook. Kane displayed his unique rapping technique while covering topics including love, Afrocentricity and his rapping prowess. Come attore ha debuttato nel western di Mario Van Peebles, Posse. [6], *sales figures based on certification alone^shipments figures based on certification alone, Learn how and when to remove this template message, Recording Industry Association of America, List of hip hop albums considered to be influential, "Hip-Hop's Greatest Year: Fifteen Albums That Made Rap Explode", The Very Best of Big Daddy Kane at Allmusic, "Long Live the Kane at AcclaimedMusic.net", The top 100 Best Rap Albums list on Rocklist.net, http://www.complex.com/music/2012/05/nas-25-favorite-albums/big-daddy-kane-long-live-the-kane, RIAA Gold & Platinum Searchable Database at RIAA.com, "Big Daddy Kane Chart History (Top R&B/Hip-Hop Albums)", "American album certifications – Big Daddy Kane – Long Live the Kane", https://en.wikipedia.org/w/index.php?title=Long_Live_the_Kane&oldid=964804830, Articles that may contain original research from May 2009, All articles that may contain original research, Short description is different from Wikidata, Album articles lacking alt text for covers, Album chart usages for BillboardRandBHipHop, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments figures, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 June 2020, at 18:01. Marley Marl and Big Daddy Kane display a sparse production style - creating beats with fast-paced drums and lightly utilized James Brown samples. [9] In 1989, Spin chose it as the twentieth best album of 1988. A music video for the 1988 single "Ain't No Half-Steppin'" by Hip-Hop recording artist, View production, box office, & company info. This FAQ is empty. Big Daddy Kane - Topic 624,373 views In addition, Gang Starr samples vocals from "Word to the Mother (Land)" on "Manifest", Mr. Lif samples vocals from "Raw (Remix)" on "Live from the Plantation", and Celph Titled and Buckwild sample a vocal from "Rhymin with Biz" on "Eraserheads.". In the music video, Big Daddy Kane comes fresh in '88 to set 'em straight by taking on all lyrical rappers in the boxing ring, at the poker table and on the microphone, and all rivals better not half-step. However, Kane heard it and liked the James Brown sound it had, asking 45 King for the beat. According to these artists, Marl was not really responsible for the production on their songs, arguing that he contributed little to no creative input beyond engineering and programming the drums. Nonostante i successivi album, come Looks Like a Job For..., siano stati ben accolti dal pubblico, Kane non è riuscito a tornare al successo commerciale che aveva ottenuto con It's a Big Daddy Thing. It was produced by Marley Marl and established both as premier artists during hip hop's golden age. "[4], The album is broken down track-by-track by Big Daddy Kane in Brian Coleman's book Check the Technique.[5]. Although his next album would be nearly the artistic equal of the debut -- and, in many ways, even bettered it -- Big Daddy Kane would never sound as compelling or as fresh as on this first effort. Big Daddy Kane's debut album is one of the most influential hip hop albums from the Golden Era. Kane è conosciuto soprattutto per la sua abilità nel sincopare su veloci beats; per questo motivo è annoverato tra i pionieri di quello che è stato definito fast-rap. https://it.wikipedia.org/w/index.php?title=Big_Daddy_Kane&oldid=115415939, Voci biografiche con codici di controllo di autorità, licenza Creative Commons Attribuzione-Condividi allo stesso modo. Fortemente influenzato da Grandmaster Caz nei lavori di inizio carriera, Kane ha poi continuato a lavorare sul proprio veloce flow e sulla sua tecnica di freestyle. On "The Listening," a 2002 song by Little Brother, rapper Phonte reminisces about the Golden Age and his influences stating: In 1998, the album was selected as one of The Source's 100 Best Rap Albums. This debut captures the Big Daddy Kane who rocked the house at hip-hop clubs and verbally cut up any and all comers in the late '80s with his articulate precision and locomotive power -- the Big Daddy Kane who became an underground legend, the Big Daddy Kane who had the sheer verbal facility and razor-clean dexterity to ambush any MC and exhilarate anyone who witnessed or heard him perform. "Raw" and "Ain't No Half Steppin'" are both described as "underground sensation[s]" and "classic[s]" by Allmusic's Steve Huey. Durante la sua carriera ha lavorato con diversi artisti di primo piano quali James Brown, Biz Markie, Marley Marl, Teddy Riley, Rudy Ray Moore e Barry White. In reality, many Juice Crew rappers would indeed bring in records that they wished to sample, and choose which parts they wished to rhyme over. Directed by Lionel C. Martin. He is widely considered to be one of the most influential and skilled MCs in hip hop. Membro della Juice Crew di Marley Marl, ha scritto testi anche per altri componenti del gruppo quali Biz Markie e Roxanne Shante. I had this on vinyl on 12 inch when I was a kid with the picture sleeve and it was stolen from me. Big Daddy Kane: I'll Take You There / Wrath Of Kane ‎ (7") Cold Chillin', Warner Bros. Records: 7-27708: US: 1988: Sell This Version Il suo stile ha influenzato l'hip hop dei primi anni novanta. 50+ videos Play all Mix - Big Daddy Kane - Ain't No Half Steppin - 1988 YouTube Ain't No Half-Steppin' - Duration: 5:20. L'acronimo "King Asiatic Nobody's Equal" è spesso associato al suo soprannome "Kane". Nel 2005 ai VH1 Hip-Hop Honors è stato molto apprezzato per un medley di rivisitazioni da T.I., Black Thought e Common, incluso il brano Warm It Up, Kane assieme a Scoob e Scrap. But there are also plenty of legitimate early hip-hop classics, none of which have lost an ounce of their power, and all of which serve as reminders of a time and era when hip-hop felt immediate, exciting, fresh, and a little bit dangerous (in the figurative, rather than literal, sense), and when hip-hop spawned commercial tastes of the moment rather than surrendering to them. I had no idea how rare its become. Marley Marl and Big Daddy Kane display a sparse production … Successivamente è apparso con Wu-Tang Clan, Rakim e i suoi vecchi amici Busta Rhymes e Q-Tip al Summer Jam Concert 2006 (7 giugno 2006), iniziativa di Busta Rhymes in onore dell'hip hop newyorkese. Truly gutted. [1] It was produced by Marley Marl and established both as premier artists during hip hop's golden age. Big Daddy Kane's debut album contains many tracks that were later featured on greatest hits compilations. Durante la sua carriera ha lavorato con diversi artisti di primo piano quali James Brown, Biz Markie, Marley Marl, Teddy Riley, Rudy Ray Moore e Barry White.

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