Russia. In both Sokurov’s tetralogy and Serra’s unofficial sequel, the details (costumes and set design) are highly realistic, and serious research has gone toward documenting the facts portrayed (famous sources are quoted in the dialogues, etc. In 2011, Sokurov shot the last part of the series, Faust, a retelling of Goethe's tragedy. The latest whatsit by Russian titan Alexander Sokurov moves comfortably between categories. Separated from his family and awaiting the decision of the American victor, the meek, timid man is still treated as the descendent of the Goddess of the Sun by his … Alexander Sokurov His films can be grouped into several categories. Sokurov is in a very different line of business from Goethe. Faust. Sokurov and his crew went aboard a naval patrol ship headed for Kuvshinka, a naval base in the Murmansk region, in the Barents Sea. Alexander Sokurov completes a cinematic tetralogy of films, the previous three were based on historical figures: Adolf Hitler (Moloch, 1999), Vladimir Lenin (Taurus, 2000), and Emperor Hirohito (The Sun, 2005), by delving further into the nature of power with his own unique take on Goethe's Faust. The manifold hurdles in the way of such an endeavour ultimately all converge into one single feature: Sokurov is an artist of the 19 th century whose work often happens to resonate somewhat with political and historical issues belonging to either our own time or the 20 th century Soviet era – an era he has never had … The aging scientist Faust is desperately in search of knowledge and insight, but without success. George. An ordinary man is lured into a strange puppet theatre by a map and finds himself embroiled in a production of the Faustian legend. [8], Soldier's Dream is another Sokurov film that deals with military themes. Alexander Sokurov November 24, 2013 Add the first question. There is no start or end to the dialogues; Sokurov negates conventional narrative structure. The spectator is cast down onto a greasy, grimy and smelly small-town world where a cynical Dr. Faust states at once that he has not found any soul when dissecting people's bodies. The dialogue allows us to follow the reflections of a Ship Commander. The story of the English exploration of Virginia, and of the changing world and loves of Pocahontas. Sokurov captures their physical toil and their mental desolation, as well as daily rituals such as meals, sharing tobacco, writing letters and cleaning duties. It was entered into the 20th Moscow International Film Festival where it won the Special Silver St. There he became friends with Tarkovsky and was deeply influenced by his film Mirror. Part of a proposed tetralogy of films on the most important political figures of the 20th Century – he has already made films based on Hitler (Moloch, 1999) and Lenin (Taurus, 2001) - The Sun is Russian director Alexander Sokurov’s meditation on the circumstances and fate of the Japanese Emperor Hirohito as he surrenders to American forces at the end of the Second World War. Alexander Sokurov brings his singular vision to “Faust,” though it’s difficult to categorize the accomplishment. However, until 2011, Sokurov didn't win top awards at major international festivals. "[7], The military world of the former USSR is one of Sokurov's ongoing interests, because of his personal connections to the subject and because the military marked the lives of a large part of population of the USSR. ... See full summary ». No ennobling Faust's motives here, no redemption thanks to beauty or God's grace. His film Mournful Unconcern was nominated for the Golden Bear at the 37th Berlin International Film Festival in 1987.[2]. ). Need some help finding the best things to watch on Netflix? Most of Sokurov's early features were banned by Soviet authorities. Three of his works, Spiritual Voices: From the Diaries of a War, Confession, From the Commander’s Diary and Soldier’s Dream revolve around military life. The First Part of the Tragedy" by a youth theatre group. The demon Mephisto wagers with God that he can corrupt a mortal man's soul. [8], On the journey from Russia to the border post, in the film, fear never leaves the faces of the young soldiers. An anonymous man driven by simple instincts: hunger, greed, lust. Acclaimed Russian director Alexander Sokurov returns to the theme of corrupting power in his new film "Faust," the fourth and final part … 2011. Sokurov is a Cannes Film Festival regular, with four of his movies having debuted there. Russian filmmaker Alexander Sokurov, who has previously trained his lens on several of history's tyrants and authoritarians, returns with … The film brings together all the elements that characterize Sokurov's films: long takes, elaborate filming and image processing methods, a mix of documentary and fiction, the importance of the landscape and the sense of a filmmaker who brings transcendence to everyday gestures. Born in Siberia, Mr. Sokurov, 64, was a disciple of the director Andrei Tarkovsky. January 2-19, 2014 Museum of Fine Arts, Boston. [10], European Film Academy Lifetime Achievement Award, International Filmfestival Mannheim-Heidelberg, Category:Films directed by Alexander Sokurov, "20th Moscow International Film Festival (1997)", "Sokurov's From Russia With Man-Love", by Fernando F. Croce, CinePassion.org, Putin on revision of Sentsov verdict: "Appropriate conditions should ripen", https://www.rottentomatoes.com/m/whispering_pages, https://en.wikipedia.org/w/index.php?title=Alexander_Sokurov&oldid=1021448621, Gerasimov Institute of Cinematography alumni, Officiers of the Ordre des Arts et des Lettres, State Prize of the Russian Federation laureates, Academicians of the Russian Academy of Cinema Arts and Sciences "Nika", Articles containing Russian-language text, Wikipedia articles with BIBSYS identifiers, Wikipedia articles with CINII identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SELIBR identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with Trove identifiers, Wikipedia articles with WORLDCATID identifiers, Wikipedia articles with multiple identifiers, Creative Commons Attribution-ShareAlike License, The St. Petersburg Diary: Inauguration of a monument to Dostoevsky, The St. Petersburg Diary: Kosintsev's Flat, The St. Petersburg Diary: Mozart. The corridors of the press office at the Venice Film Festival have been filled by gossips that Sokurov’s Faust, the last part of his tetralogy on power, will probably score the jackpot at … The final part of the film celebrates the arrival of the New Year, 1995, but the happiness is fleeting. An adaptation of two texts by Platonov, The River Potudan and The Origins of a Master, it serves as a formal and thematic matrix for a very substantial part of Sokurov's oeuvre. Sokurov was born in Podorvikha, Irkutsk Oblast, in Siberia, into a military officer's family. When he realizes that the price is the soul of his new love interest, he turns on the devil. For the final chapter in his tetralogy on the nature of power, visionary Russian auteur Alexander Sokurov shifts away from the motif of twentieth-century leadership that saw him make cinematic subjects of Hitler, Lenin, and Hirohito, and into fictional, allegorical territory with an enigmatic interpretation of Goethe’s play. Most of Sokurov's early features were banned by Soviet authorities. [3] It was mirrored by Father and Son (2003), which baffled the critics with its implicit homoeroticism (though Sokurov himself has criticized this particular interpretation). Aleksandr Sokurov - Tetralogy of Power (Moloch, Taurus, The Sun, Faust) Peter Fitz (Actor, Host), Hanna Schygulla (Actor, Host), Aleksandr Sokurov (Director, Host) A fresh and enthusiastic adaptation of Goethe's world-renowned play "Faust. 134mins. There he became friends with Tarkovsky and was deeply influenced by his film Mirror. Alexander Nikolayevich Sokurov, PAR (Russian: Алекса́ндр Никола́евич Соку́ров; born 14 June 1951) is a Russian filmmaker. Get a sneak peek of the new version of this page. Forget Marlowe, Goethe, Gounod and Murnau, or … During his early period, he produced numerous documentaries, including The Dialogues with Solz… Sokurov’s Faust is the final part of the tetralogy, Moloch (1999), Taurus (2001) and The Sun (2005), which showed men – the political leaders Hitler, Lenin and Hirohito – obsessed with ideas. Lonely Voice of Man, initially meant to be a documentary about Andrey Platonov, is pervaded by a sense of loss and gloom. No use trying to apply conventional criteria to unravel its mysteries and those who insist will most likely walk out of the cinema very quickly, as some did at its Venice premiere. Sokurov has filmed a tetralogy exploring the corrupting effects of power. ALEXANDER SOKUROV RETROSPECTIVE. [1], Sokurov was born in Podorvikha, Irkutsk Oblast, in Siberia, into a military officer's family. This chapter reviews Alexander Sokurov's Lonely Voice of Man (1978). File: Alexander Sokurov. What could otherwise be dry, difficult historical material becomes, through Sokurov… CAIRO - 8 December 2020: Acclaimed Russian filmmaker and this year’s head of jury at the Cairo International Film Festival, Alexander Sokurov held a masterclass for the Cairo Industry Days program on December 7. It stands three paces to the right of the essay film … Sokurov asks us to question how this literary character informs our understanding of those previously studied abusers of power. Alexander Sokurov completes a cinematic tetralogy of films, the previous three were based on historical figures: Adolf Hitler (Moloch, 1999), Vladimir Lenin (Taurus, 2000), and Emperor ... View production, box office, & company info. Confined within the limited space of a ship anchored in Arctic waters, the team filmed the sailors as they went about their routine activities. It was succeeded by Taurus (2000), about Vladimir Lenin , The Sun (2005), involving Japanese emperor Hirohito , and Faust (2011), based on the old German legend Faust . At the age of 54 (the age Tarkovsky died), Sokurov has made over 40 films (shorts and features) and continues to be one of the most avant-garde (a term he detests) filmmakers of his generation, continually shaping technology to his personal vision and remaining true to Tarkovsky’s aesthetic belief that “cinema is a very serious and difficult art, heavy with sacrifice” … The first three installments were dedicated to prominent 20th-century rulers: Moloch (1999), about Hitler, Taurus (2001), about Lenin, and The Sun (2005) about Hirohito. Soldier's Dream was screened at the Oberhausen Film Festival in Germany in 1995 – when Spiritual Voices was still at the editing stage – as Sokurov's homage to the art critic and historian Hans Schlegel, in acknowledgement of his contributions in support of Eastern European filmmakers. Alexander Sokurov’s German-language spin on the Faust legend – the fourth and final part of his tetralogy of … [6] The film won the Golden Lion, the highest award of the Venice Festival. Like the first three parts of Alexander Sokurov’s tetralogy - and for that matter most of his work - this film demands a visceral response. Some have caught a whiff of Russian reflex anti-Semitism in the refashioning of the Devil as a pawnbroker named Muller, but Sokurov evidently had something more primal in mind. Mother and Son (1997) was his first internationally acclaimed feature film. In this film Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three centuries of Russia's cultural history through a single, 90-minute take. Let our editors help you find what's trending and what's worth your time. A despairing scholar sells his soul to Satan in exchange for one night with a beautiful young woman. This FAQ is empty. He graduated from the History Department of the Nizhny Novgorod University in 1974 and entered one of the VGIK studios the following year. Like the first three parts of Alexander Sokurov’s tetralogy - and for that matter most of his work - this film demands a visceral response. The film, depicting instincts and schemes of Faust in his lust for power, premiered on 8 September 2011 in competition at the 68th Venice International Film Festival. A teenage boy expelled from school for fighting arrives at a boarding school where the systematic bullying of younger students is encouraged as a means to maintain discipline, and decides to fight back. Requiem, Elegy of a life: Rostropovich, Vishnevskaya, This page was last edited on 4 May 2021, at 19:20. Keep track of everything you watch; tell your friends. Alexander Sokurov completes a cinematic tetralogy of films, the previous three were based on historical figures: Adolf Hitler (Moloch, 1999), Vladimir Lenin (Taurus, 2000), and Emperor Hirohito (The Sun, 2005), by delving further into the nature of power with his own unique take on Goethe's Faust. Faust here is a thinker, a mouthpiece for ideas, a transmitter of words, a schemer, a daydreamer. [1] Producer Andrey Sigle said about Faust: "The film has no particular relevance to contemporary events in the world—it is set in the early 19th century—but reflects Sokurov's enduring attempts to understand man and his inner forces. How an unhappy life can lead some to be seduced by monstrous ideologies. From an Exploration of Demonism in Early Modern Era to an Awareness of the Political Catastrophes of the 20 th Century: Notes on “Faust” by Alexander Sokurov «Фауст» А. Сокурова: от открытия демонизма в эпоху раннего модерна к осознанию политических катастроф XX … “Faust,” the concluding installment of the “Men of Power” tetralogy, is Alexander Sokurov’s freehanded adaptation of Goethe’s great allegorical drama. Siberia-born director Alexander Sokurov is best known in the West for 2002's Russian Ark, a cinematic waltz through the Hermitage Museum that also functions as a primer on Russian history. Soldiers' jargon and the combination of animal sounds, sighs and other location sounds in the fog and other visual effects give the film a phantasmagorical feel. Sokurov's latest film is a new parable about the redistribution of power. Several things about Russian filmmaker . He has directed more than 50 films, both fiction and genre-bending documentaries, which he calls elegies. The result was Spiritual Voices: From the Diaries of a War, a 327-minute cinematic meditation on the war and the spirit of the Russian army. Alexander Sokurov. Directed by Russian filmmaker Alexander Sokurov, the film is the first in Sokurov's tetralogy of power. Alexander Sokurov's 'Russian Ark' is generally acclaimed as a milestone in cinematography. To write about Alexander Sokurov is no easy task. Faust, (2011). Sokurov’s body of work includes his “Men of Power” tetralogy (Faust, The Sun [Emperor Hirohito], Taurus [Vladimir Lenin] and Moloch [Adolph Hitler]), Russian Ark (set entirely in St Petersburg’s Hermitage Museum), Mother and Son and Father and Son. This film actually came out of the material edited for one of the scenes in part three of Spiritual Voices. During his early period, he produced numerous documentaries, including The Dialogues with Solzhenitsyn and a reportage about Grigori Kozintsev's flat in St Petersburg. Winner of the Golden Lion at the Venice Film Festival 2011 Sokurov's Faust is not adaptation in the usual sense but rather a 'reading of what remains between the lines'. [8], He suffers from severe eyesight problems. For a long time, his most commercially and critically successful film was the semi-documentary Russian Ark (2002), acclaimed primarily for its visually hypnotic images and single unedited shot. Cultural Partnership have teamed up on a retrospective of the entire series. The following day, everything remains the same: the endless waiting at a border post, the fear and the desolation. "[5] In 2006, he received the Master of Cinema Award of the International Filmfestival Mannheim-Heidelberg. Dir. [9], During a December 2016 meeting of the Council for Culture and Arts Sokurov appealed to President Vladimir Putin to reconsider the verdict against filmmaker Oleh Sentsov (which Putin refused). His most significant works include a feature film, Russian Ark (2002), filmed in a single unedited shot, and Faust (2011), which was honoured with the Golden Lion, the highest prize for the best film at the Venice Film Festival. 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