What was your contribution? Music had already saved him once, in the wake of his parents' divorce, first when he discovered drums at the music school they sent him too and then when he started dabbling with the guitars that littered his father's house. Like hold up on the distorted guitars, you know? So it’s not worth going after.” But no, it was a happy ending. I don't think I left my house in LA in about two weeks. I hate finding myself in that situation, it makes me uncomfortable. We did a bunch of stuff, but as with all things, I’m not sure if any of that will surface. PARKER: I guess I was just using all my producer power to make us, a rock band, not sound like a rock band. The psych project mastermind made the comments to Australian radio station triple j … Not at all. PARKER: I don’t know, man. Tame Impala was recently nominated for 2 Grammy awards — “Best Alternative Album” and “Best Rock Song” for the single “Lost In Yesterday.” This marks the third nomination in the Alternative category for Parker, having previously been nominated for Currents and Lonerism . From about midnight to eight am was when I completed the rest of the song which was writing, recording and mixing. What's your role when you're in a room with, say, Mark Ronson? That’s why I like hip-hop so much, and that’s why I find hip-hop so intriguing, the way it’s made. That’s just what this was. He’s been doing his thing for a good solid decade now; Tame Impala’s debut album InnerSpeaker reached its 10th anniversary a couple weeks after our call. 'Glimmer' was one of those because it was just me. Because there’s zero second guessing. I kind of jam with myself all the time in the studio. And if they have a nice voice, it’s nice to hear what my songs would sound like if I was a good singer. “The health system in Australia is really good,” Parker reasons. There was four of us, really, ’cause it was BloodPop. Pre-order it now here, Styling: James Sleaford | Styling assistant: Rosalind Donoghue, Grooming: Andrea Gomez Anzola using ClarinsMen. Do you know if it’s going to come out? I thought that was cool. And so the difference between the best person in the world and a total novice is just where you decide to put those kick drums and those snares. Some of this sheen could be attributed to the I know it’s ruining my hearing, I’m damaging my hearing because I work at high volume, but it’s worth it because it carries you to the finish line of finishing music, loving the music more. I hate my voice too much, and my producer brain just immediately wants to flood it with sounds and noises and drum sounds and shit. It was like a problem to solve, a puzzle to piece together. All the songs that I've worked on with people have been things that I've started on my own and brought to them. But the awkwardness endures. We would literally be hanging out in our backyard listening to old music constantly. And I hate being stoned in public, right? STEREOGUM: What are some things you saw eye-to-eye on or connected on? Did I really feel those things? But we’re both retrophiles and audiophiles and all that. My manager reminded me just the other day, actually, when I was finishing up this album. He should have been, and he wanted to be. Not just better for me, this will make it better for everyone. And we programmed a bunch of other stuff. Did you get starstruck back in those days being around celebrities? Do you feel trepidation when you share something you've worked on alone with other people? We didn’t know who anyone fuckin’ was. PARKER: It was great. 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