Pixar is one of those animation studios that seems to know the exact way to produce a film that manages to be both exciting and full of heart at the same time, and the result is a film like The Incredibles. Aside from keeping it to younger, prepubescent kids (so no “Carrie“) and excluding comic-book or young adult-based movies in which the child may develop his/her superpowers at a young age (like “Superman,” or “Harry Potter,” for example), our only guideline is that the films should be at least watchable (a surprising number are not) and should in some way hinge on the contradiction that is a child with distinctly un-childlike abilities and skills. All rights reserved. Chronicle is a 2012 American found footage superhero film directed by Josh Trank and with a screenplay by Max Landis from a story by them both. (We should also mention in passing — considering the film that spawned this feature — the prologue and epilogue, both of which feature vehicles driving at night in which Creedence Clearwater Revival‘s “Midnight Special” plays.). Copyright © 2021 Penske Business Media, LLC. It’s an exciting adventure filled with all of the gods and goddesses that a person could ask for. Still, the push-pull between shlock and something more interesting is sort of interesting to watch. Sort by: Tag popularity - Top Rated - Top Rated Popular - Want to watch - Release Date - Recently wanted - Date Added. … Directed by Josh Trank. He seems to have found both in Miss Peregrine’s Home for Peculiar Children, since the book is very much the sort of thing that Burton has shown an affinity for in his career, and Eva Green is just the right kind of off-beat star to bring the titular character to brilliant life. Reception. Now he can be seen around corners, avoid accidents in traffic, move a driver-less truck, make billiard balls roll without a cue, race up 20 flights of stairs in 20 seconds, run as fast as a car. Ambassador to the U.K., beginning to suspect that something is wrong with his son, Damien, and that his child may have actually been swapped at birth with the Antichrist, the child of Satan. Superhero movies had been few and far between throughout cinema history, and the then-most-recent superpowered flick had been 1997’s Batman and Robin — a movie … Peter Parker was an early example of kids with powers in other mediums, as he first became Spider-Man while still in high school at the age of fifteen, though 2018's Spider-Man: Into The Spider-Verse focused on another teen hero with abilities. This puts his parents and their collaborators in the terrifying position of having to protect something they do not understand: they cannot even know if he is a force for good or evil, only that he is a force, he is in danger and he is their son. The survivors are gifted with powerful abilities, which led to their imprisonment and the development of a powered resistance. Understanding and controlling those abilities, however, is another matter. The film sees Robert Thorn (Gregory Peck, bringing an invaluable degree of dignity to proceedings), the U.S. It’s a simple story in some ways, about the bond between a father and a son. “Let The Right One In” (2008) 1. There are elements in the book that Alfredson’s films plays down or avoids — such as the issue of paedophilia in Eli’s relationship with her “minder,” as well as the question of her gender — but mostly it’s a masterful work of adaptation featuring Alfredson’s exceptionally meticulous visual control, and a beautifully sad little horror film to boot, with a perfectly crooked little turn from Leandersson at its cold, unbeating heart. You will be redirected back to your article in, Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox. The convolutions of its plot and premise aside, the intelligent humanism of the approach is marked out by the characterization of Cid as neither good nor evil yet, just a huge mass of potential to become either. While the adult Spider-Man played a large role in the movie, Into The Spider-Verse focused on young Miles Morales as he was bit by a spider and forced into his new role as Spider-Man after the death of his universe's Peter Parker. It certainly helps that the musical genius Lin-Manuel Miranda was responsible for the music in the film, imbuing its already-exciting plot with all of the verve and energy that everyone associates with him. Steer clear of the 2006 remake though, an unimaginative Xerox of the original with nothing to recommend it. It’s not as centered on a spooky child as some of these movies — in part because Carol Anne is kidnapped into the spirit world early in the film and sits some of it out — but O’Rourke is arguably the best performer in the film when she is on screen, particularly when delivering the iconic “They’re here” line (sadly, O’Rourke passed away during an operation when she was just twelve). “The Omen” (1976) A sort of “Citizen Kane” of evil children movies, leading directly to a whole sub-genre of horror films including the likes of “Joshua” and “Orphan,” Richard Donner’s “The Omen” is a tremendously entertaining piece of pulp that walks the line neatly between being genuinely unnerving and deeply silly. Covering the hottest movie and TV topics that fans want. All the latest gaming news, game reviews and trailers ... Marvel's Karma, on the other hand, gets her powers being a mutant. Dragon Ball: Ssawora Son Goku, Igyeora Son Goku. And while the director deserves much of the credit for milking every drop of tension and terror out of the scenario, it’s Haley Joel Osment who dominates: his utterly haunted performance isn’t precocious in the way that many child actors are, but he feels like a young man who’s been aged by his proximity to death. “The Other” (1972) Wanted (2008) A frustrated office worker learns that he is the son of a professional assassin and that he shares his father’s superhuman killing abilities. On Rotten Tomatoes it has a rating of 50% based on 20 reviews, with an average rating of 5.2/10.. Caryn James of The New York Times described the film as "lethally dull" with Goldblum's dry humor offering the only tolerable moments in the film. It’s more intelligent and layered than the average supernatural thriller, with references to the Lindbergh baby and a certain thwarted religiosity underpinning its more ludicrous aspects, and Mulligan shoots with a richness and texture that makes the film a lot more than just its central gimmick. And, of course, the animation is simply stunning. She drives him home but once there is pressured into staying by the child and his ghoulish “family.” Anthony is essentially omnipotent but being a child his wishes, fantasies and punishments are mostly inspired by cartoons and cartoon logic, leading to some very Dante-esque puppetry and set design. It manages to be action-packed, visually stunning (another testament to the ability of special effects to bring new worlds to visual life), as well as deeply and profoundly philosophical. This theme crops up again in this week’s “Midnight Special” from director Jeff Nichols (our review here), in which the boy in question, the son of Kirsten Dunst and Michael Shannon‘s characters, has immense resources of potentially destructive, potentially Messianic powers that he is barely able to control. 1. Aside from everything else, the films are a testament to just how far special effects have come in the last couple of decades. Abar, the First Black Superman. “Matilda” (1996) One way or another though, whether because they are actually communing with the dead or because the disintegrating mind of Miss Giddens has conjured them into demons, Miles and Flora are among the creepiest children cinema has ever brought us, especially since the most unnatural thing about them is actually the most natural — their bond as siblings. From early on, Danny has horrifying visions or premonitions before they even get there, the source of some of the film’s most notable imagery, and things only get worse as the film goes on. Jack Clayton‘s classic psychological horror, based on Henry James‘ “The Turn of the Screw” achieves such a brilliant balance and maintains it with such chillingly evocative filmmaking that it’s impossible to say if these two children even belong on this list. So instead we get a surprisingly subtle and relatively slow-paced horror in which the glimpses at Rick Baker‘s creation are few (and mostly partial), Bernard Herrmann‘s score is strong, but more muted than his Hitchcock work, and the violence is more often suggested than shown. With shades of recent arthouse hit “Goodnight Mommy,” it revolves around twins Holland and Niles (played by the uncannily identical Chris and Martin Udvarnoky). With Dane DeHaan, Alex Russell, Michael B. Jordan, Michael Kelly. "The Dragonfly" navigates through a city full of superhero parodies. Religious scholars are the fool ones, and superpowers are the wise ones. How could it be otherwise, when it manages to combine all of the typical Disney ingredients with a story that’s refreshingly new? It’s a concept that Hollywood has exploited time and again, sometimes for comic but more often for dramatic or horrific purposes. No one who has seen Moana could avoid falling under its spell. It’s then that hitman Joe (Joseph Gordon-Levitt), having failed to kill his future self (Bruce Willis) as ordered, meets little Cid (Pierce Gagnon), whose extraordinary telekinetic abilities mark him out as the fabled Rainmaker of the future — a malevolent all-powerful entity that Old Joe has vowed to eradicate. A cynical ten-year-old girl discovers her rescued squirrel has superpowers in Flora & Ulysses, exclusively on Disney+. Production began on September 17, 2007, in Los Angeles. How Will Awards Season Take Shape Without the Golden Globes? Kathleen Quinlan plays a schoolteacher hoping for a fresh start, when she accidentally (she thinks) backs into Anthony, a kid who has taken a shine to her. Unforgettably portrayed by Linda Blair, Regan is such an iconic horror emblem, that it’s probable that most contemporary filmgoers will have seen a parody or an homage or a reference before they’ve seen the real thing — and by rights that should rob the film of a considerable amount of its power. It's fun, and the acting and production as a whole are at a high level. The film sees an ordinary suburban California families’ lives turned upside down when youngest daughter Carol Anne (Heather O’Rourke) begins having terrifying visions around the house. “The Shining” (1980) Famously, Stephen King doesn’t like Stanley Kubrick’s film of his book “The Shining,” preferring instead a three-part miniseries version that he scripted that starred Steven Weber and Rebecca De Mornay. The novelist’s books have had a bit of a checkered history when it comes to their translation to the big screen, but this one manages to do the original book justice, in no small part because of the performances of both Mara Wilson as Matilda and Danny DeVito as her father (DeVito also directed the film). In the case of M. Night Shyamalan’s breakthrough sleeper smash, that kid is 9-year-old Cole Sear (Haley Joel Osment), who claims to see dead people who want him to help them with unfinished business. Who could ever forget Matilda, the movie based on the novel of the same name by Roald Dahl? Are little Miles and Flora (Martin Stephens and Pamela Franklin) actually pursuing a grotesque incestuous affair because they’re possessed by the evil souls of two deceased servants, or is it all in the repressed and increasingly hysterical mind of their governess Miss Giddens (a brilliant Deborah Kerr)? Everything that was good about the original Superman is amplified in … 2018's The Darkest Minds is an adaptation of Alexander Bracken's YA novel of the same name, which takes place in a dystopian future plagued with a disease that wipes out nearly the entire population of minors. The film’s an interesting case study in that it anticipates some of the sci-fi trappings of films like “Close Encounters Of The Third Kind” a few years before they became on trend, and it’s a surprising attempt from 70s-era Disney to make something to appeal to older kids, and even teens. Aladdin & the King of Thieves. It's taken far too long to start seeing superhero gender equality on-screen, with Marvel and DC only just now delivering standalone female superhero movies. Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world. Any other freaky kids using their powers for good or ill occur to you? But Rian Johnson‘s time-travel thriller is more twistily plotted than Nichols’ somber, lower-key drama, and is slightly less involved in ineffable existential and metaphysical questions. “The Exorcist” (1973) Thumbnails. As with many King adaptations, it’s a story that feels more familiar once the texture and oddities have been removed in translation, but it’s moderately absorbing as a story, thanks in part to the effortless performance by Barrymore. The movie explored typical norms of high school life through a superhero filter and featured a number of cameos and surprising stars, while also providing a fun adventure with some great costumes and a wide variety of powers from the superheroes, sidekicks, and even future villains in training. Sign up for our Email Newsletters here. The film was intended to launch a franchise that followed the book series, though a sequel has yet to move into development. Amid a distinguished cast (Billie Whitelaw as demented nanny Mrs. Baylock being the highlight), young Harvey Spencer Stephens does a fine job, his pageboy haircut only briefly concealing the child’s demonic nature. But only slightly: set in a world where one of the chief uses for black-market time travel is for gangsters to send back victims into the past for execution so no bodies exist to incriminate them, “Looper” really finds its feet (and its heart) in its second, more philosophical half. While the film isn't on many best-of lists, it's still a fun family film. READ MORE: The 25 Best Horror Films Of The 21st Century So Far, “Twilight Zone: The Movie” (1983) There are technically two supernatural-kid segments in the 1983 anthology film based on the beloved TV show. Hollywood seems to have a bit of an obsession with the idea of kids with immense powers. Interviews with leading film and TV creators about their process and craft. The film followed Tia and Tony as they followed a map to Witch Mountain hoping to uncover the secrets of their mysterious origins. Still the ne plus ultra not just of the demonic possession film but of the horror genre in general, William Friedkin‘s terrifying classic is also a never-bettered example of the freaky child subgenre. “It’s Alive” (1974) This is one of the better titles from “b-movie auteur” Larry Cohen. The Time Traveler’s Wife (2009) A Chicago librarian has a gene that causes him to involuntarily time travel, creating complications in his marriage. Powder received generally mixed reviews from critics. “Firestarter” is done much less successfully than the other example (see below), but it’s an interesting little curio that fans of the writer will probably have a good time with. That said, it’s rather caught in the middle of several stools — too goofy to scare, too scary to be goofy, and not really good enough for anyone, except in retrospect where it became enough of a nostalgia pick to warrant the aforementioned cottage industry of sequels and spin-offs. As you might expect for someone who writes at the volume that he does in the genres that he does, Stephen King went to the kids-with-powers well more than once. Shout them out in the comments below. Here are 13 films about superpower teenagers. 7 of 11. prev. The Return of Jafar (1994) Rotten Tomatoes® 27%. he gets invited to a school for people who are exceptionally smart. Dragon Ball Z: The World's Strongest (1990) Dragon Ball Z: Wrath of the Dragon (1995) Dragon Ball: Curse of the Blood Rubies (1986) Dragon Ball: Evolution. Netflix has been cranking out original superhero series faster than the Punisher can select his next target. A few suggestions for further reading if none of the above have convinced you to think twice before cooing over a friend’s newborn or offering to babysit: the U.S. version of the “The Ring” has a young girl as the vengeful, lank-haired ghost responsible for all those deaths ( and the Japanese original of “The Grudge” has a similarly blackeyed ghost boy); zombie classic “Night of the Living Dead” features a memorable child-zombie character; 1960s “Village of the Damned” is a famous example that even had the honor of the standard-issue inferior remake (in 1995 by John Carpenter); in Cronenberg’s “The Brood” the mutant children are scarcely recognisable as such, but do indeed possess psychic abilities in addition to extreme malevolence; Alejandro Amenabar‘s terrific ghost story “The Others” also just about qualifies, though the children are less the focus than in “The Innocents” (above) to which it is indebted; James Wan‘s “Insidious” has taken the theme and spun it into a franchise; while current arthouse horror hit “The Witch,” and last year’s “The Babadook” also feature children whom we can’t be sure are not somehow haunted or possessed. It was released on March 28, 2008, in the United States to generally negative reviews from critics (but more positive than earlier entries such as Date Movie and Meet the Spartans ), but received a moderate box office success, grossing over $71 million worldwide. Just as the media loves a story about a three year old who can play a piano concerto, the movies have long been fascinated with prodigious kids, be it Danny Torrance in The Shining or It also has a relatively serious subtext in which the pharmaceutical company reps and fertility doctors who plied the mother (Sharon Farrell) with pills most of her adult life are shown to have been responsible for the horrible mutation, while the dynamic between her and husband John Ryan is also fascinating, albeit unavoidably colored by the sexism of the time. 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