Not only about the Spanish civil war. Ay Carmela! is a 1990 Spanish comedy-drama film directed by Carlos Saura and based on the eponymous play by José Sanchís Sinisterra.The film stars Carmen Maura, Andrés Pajares, and Gabino Diego as a trio of travelling players performing for the Republic, who inadvertently find themselves on the nationalist side during the closing months of the Spanish Civil War. The Spanish-focused Cervantes Theatre is running two versions of Ay Carmela!, in Spanish and English language, with different casts but a shared production. The play unfolds on … Ay Carmela! Is a highly allegorical play that illustrates the human price we pay for war. Variants. by José Sanchis Sinisterra Directed by Paula Paz. ¡Ay Carmela! Carmela, on the other hand, is a proud, militant, and defiant wife. The most popular lyrics to this Republican song have two variants known as El Paso del Ebro and Viva la XV Brigada.The first one is related to the Battle of the Ebro and the second mentions the Battle of Jarama, two of the main confrontations of the Civil War.The melody, however, is a folk tune of far greater antiquity, dating back to the Peninsular War in the early 19th century. Ay Carmela! Carmela and Paulino, a couple of travelling entertainers, mistakenly cross the border that separates the two opposing sides of the Spanish Civil War. Not only that, but she is beautiful and admirably acted by Eloísa Maturén. Through Oct. 9 at GALA Theatre, 3333 14th … Is a highly allegorical play that illustrates the human price we pay for war. In Spanish with English surtitles (English translation by Nilo Cruz and Catalina Botello). The role of war is a backdrop of extreme situations 1 where two characters initially posed as anti-heroes must face an extreme situation and become one of them someone to scratch and ironically becomes a hero.. A symbolic depiction of the fear-mongering time of the civil war. Ay, Carmela doesn’t just refer to the character in this play: a Spanish audience would recognise it as a song that was adopted and adopted by soldiers of the Republican army and that proud resistance is key to this play. Ay, Carmela is his most famous work from his as well as from all contemporaru Spanish dramatic literature. A symbolic depiction of the fear-mongering time of the civil war. The Spanish-focused Cervantes Theatre is running two versions of Ay Carmela!, in Spanish and English language, with different casts but a shared production. A well-orchestrated collaboration between the GALA and Accion Sur from Madrid, Spain, ¡Ay Carmela!, by Jose Sanchis Sinisterra, takes place in the late 1930’s, near the end of the Spanish Civil War. is unusually long for a two-hander - at least fifteen minutes could be shaved off the running time without any detriment to the play - and it occasionally assumes a more extensive knowledge of the Spanish Civil War than the average English audience member will possess. The play begins in an absurd manner—Carmela is already dead, appearing to Paulino as if in a dream as he drinks and sings a few bars of their signature song “Ay, Carmela!” About 2 1 / 2 hours. Mona Martinez as Carmela and Diego Mariani as Paulino (Photo courtesy of GALA Hispanic Theatre) 1. After the premiere at Teatar Principal in Zaragoza in 1987, Ay, Carmela has been presented at numerous Spanish, European and South American theatres, and an exceptionally successful and popular film is based on it. Unexpectedly, they end up in “Belchite” – a village that the National Army has recently liberated. Ay, Carmela! Ay, Carmela!
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